Consistent WB was my intention, but after going through 100 or so shots I realised this is much harder to do without having individual shots having some weird tints. Even harder is having a mix of flash and non-flash shots.
Due to the nature of the venue, and with different settings, shuttle speeds, flash, etc., consistency in white balance is always a challenge. Zacs statement below had made it more complex, and so true.:thumbsup:
Btw, there is a difference in correct white balance and a white balance balance in multiple source light scene.
There is a mix of tungsten and fluorescent lighting and in that kind of scenario, you can only hope to achieve a more pleasing mix.
Its important to know where you are and where your final destination, or the white balance is just another point of lost. Im a good critic and judge of bad quality but I cannot create good and consistent quality under these circumstances too.